UNKNOWN MUSIC
Below are 8 albums from such artists as Savion, Target Ke$h, Avavo Quinnz, Final Days, and Royal Oaks discovered by Unknown Music. Unknown Music maintains a collection of lesser-known artists and their music.
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Savion first met as hangarounds at an architecture studio in Stockholm, Sweden. Even though they had absolutely nothing in common there’s no stronger bond than a common enemy, and the enemy was life’s recurring disappointments. To their surprise a twin-soul-potential emerged and they began to nurture a drive for doing their own thing. The year of 2020 was a stressful and hurtful one for both members of Savion. Break-ups were taking a toll. Their mutual psychologist, tired of the sessions, suggested they form a music duo and deal with the topics of love and life within that context. Their songwriting instantly clicked and the songs kept coming with a magical flow. Teaming up with producer Sven Johansson the songs and sound fell into place around a vision of french chanson/americana. Savion was born. …. Phyllis on Charlotta’s voice: ”She has this amazing narrative when she opens her mouth to sing. I would buy anything from her… I guess it comes from her upbringing in the Stockholm archipelago, with its constant darkness, and stories about fishermen never coming back”. Charlotta on Phyllis’ noble background: ”He claims he comes from this noble family, but I highly doubt it. I’ve seen his “mansion”, it’s a mess. But his beautiful language of melodies are royal enough for me.”
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Final Days delivers an explosive sound that grapples with the themes of good and evil, end of the world struggles within. Their hard-hitting tracks, like "Chasing the Apocalypse" and "Deceiver," blend heavy riffs with anthemic choruses, engaging audiences in a powerful catharsis. Songs such as "Beyond the Fallen" explore end of the world, haunting loss while "Falling and Crawling" confronts themes of doom and the grim reaper. With dynamic vocals and intense instrumentals, Final Days invites fans to embrace the chaos and beauty of existence, proving that hope can rise even from the darkest struggles.
Savion: Savion first met as hangarounds at an architecture studio in Stockholm, Sweden. Even though they had absolutely nothing in common there’s no stronger bond than a common enemy, and the enemy was life’s recurring disappointments. To their surprise a twin-soul-potential emerged and they began to nurture a drive for doing their own thing. The year of 2020 was a stressful and hurtful one for both members of Savion. Break-ups were taking a toll. Their mutual psychologist, tired of the sessions, suggested they form a music duo and deal with the topics of love and life within that context. Their songwriting instantly clicked and the songs kept coming with a magical flow. Teaming up with producer Sven Johansson the songs and sound fell into place around a vision of french chanson/americana. Savion was born. …. Phyllis on Charlotta’s voice: ”She has this amazing narrative when she opens her mouth to sing. I would buy anything from her… I guess it comes from her upbringing in the Stockholm archipelago, with its constant darkness, and stories about fishermen never coming back”. Charlotta on Phyllis’ noble background: ”He claims he comes from this noble family, but I highly doubt it. I’ve seen his “mansion”, it’s a mess. But his beautiful language of melodies are royal enough for me.”
Final Days: Final Days delivers an explosive sound that grapples with the themes of good and evil, end of the world struggles within. Their hard-hitting tracks, like "Chasing the Apocalypse" and "Deceiver," blend heavy riffs with anthemic choruses, engaging audiences in a powerful catharsis. Songs such as "Beyond the Fallen" explore end of the world, haunting loss while "Falling and Crawling" confronts themes of doom and the grim reaper. With dynamic vocals and intense instrumentals, Final Days invites fans to embrace the chaos and beauty of existence, proving that hope can rise even from the darkest struggles.
Royal Oaks: we're a rock band from connecticut baby est. 2015